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wshaffer

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Overall, MetalGate looks like it's a non-starter, in that it's just failing to generate the sheer volume of social media ugliness that GamerGate inspired. However, there have been some interesting developments:

1. A singer for a couple of minor but critically well-respected black metal* bands decided to seize the occasion to send harassing and threatening social media messages to a feminist music journalist and some members of some other bands.

2. The singer's bandmate in one of the bands responds by firing him.

3. A bunch of metal blogs write about the story, in some cases using the journalist's name and/or posting screencaps of protected social media posts.

4. Journalist tweets to these bloggers, pointing out that screencapping protected social media posts is uncool, and that using her name in these stories will drive further harassment her way.

5. Bloggers apologize, remove her name and protected content from the posts.

People facing professional consequences for harassing people on the internet? Male allies apologizing and trying to fix the situation when a woman tells them, "Hey, guys, you are not helping"? What strange internet have I stumbled into?

*For those unfamiliar with the metal scene, "black metal" does not equal "metal performed by black people". Indeed, owing to the peculiar history of the subgenre, it is probably the whitest subgenre in a very white genre.

Oh, dear lord

Dec. 13th, 2014 01:48 pm
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So, I hop on twitter this afternoon, and it appears that some chucklehead is trying to stir up "MetalGate", a la "GamerGate".

Frankly, I don't think it's going to get any traction, partly because he doesn't even have the pretend grievances of GamerGate. There's no "ethics in metal journalism" here - he's just straight up mad that a couple of people wrote articles essentially saying, "Hey, metalheads, maybe we could be less racist/homophobic/misogynistic."

Still, ever since GamerGate erupted I have been wondering whether there were any special factors that made the metal community (which is in some ways demographically similar to the gamer community) resistant to this kind of toxic storm, or if it was pure luck that we hadn't had a GamerGate style blowup. I can make arguments either way. I guess now we get an empirical test.
You've really got to check out this this blog post on the Miss Universe pageant national dress costumes.

I got about 3 pictures in before I very carefully put down my coffee cup to avoid a beverage-on-screen incident. The photos and the accompanying commentary are priceless.

I mean, there's USA with, "Subtlety? We threw that in Boston Harbor along with the tea!" And the Netherlands with a BOAT HAT! And I don't even understand what the hell Ireland is wearing...and...and...No, just go look. Trust me.
Apparently, Salman Rushdie is writing a science fiction TV drama series for Showtime!?

Assuming it survives past the pilot, that could either be brilliant or really, really suck. Rushdie's not really a natural for the small screen, I'd think - so much of what is great about his work is the kind of verbal exuberance that you really need words, not visuals, to convey. OTOH, if they can find actors who can deliver his occasionally outlandish dialogue convincingly, it ought to be very quotable, at least.

There's also mention in the article of a film version of Rushdie's novel Midnight's Children in the works. Again, not an obvious candidate for transfer to the screen - you could probably make a good film about Indian independence and partition that shared some plot events with the book, but I can't imagine it approximating the experience of reading Midnight's Children. Which might be why the film is being called Winds of Change.
Torture Team: Rumsfeld's Memo and the Betrayal of American ValuesTorture Team: Rumsfeld's Memo and the Betrayal of American Values by Philippe Sands

My rating: 4 of 5 stars


This is not an easy book to read. It's a very detailed account of how aggressive new interrogation techniques came to be used on prisoners at Guantanamo and the chain of legal advice that led to those new interrogation techniques being deemed not to be torture. It shifts repeatedly from technical legal reasoning to presenting excerpts from interrogation law, with occasional digressions through the bureaucratic doublespeak of Bush administration officials trying to cover their asses. It's a fascinating look at how organizations that are supposed to have safeguards in place against the use of torture can be subverted, but bits of it will do your head in. (I didn't know whether to laugh or cry when Sands confirmed that, yes, the TV series 24 seems to have had a non-trivial influence on the interrogation techniques adopted.)



Being a lawyer who specializes in international law, Sands spends a lot of careful analysis on whether the interrogation techniques adopted by the Bush administration constituted torture or were in violation of the Geneva convention. While the ins and outs of legal reasoning are interesting, I might have preferred a book that focused more on the evidence of the complete lack of efficacy of these techniques. Because, sadly, I think that many Americans who need to be convinced that this kind of stuff is Not Okay wouldn't be terribly persuaded by technical arguments based on international law, but might be persuaded by the notion that it doesn't work.





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Appetite for Profit: How the food industry undermines our health and how to fight backAppetite for Profit: How the food industry undermines our health and how to fight back by Michele Simon

My rating: 3 of 5 stars


Not all of this will be new information if you've read Marion Nestle's Food Politics or if you keep up on food policy news generally. Simon's book is particularly illuminating on the many ways that food companies fight attempts to regulate them, from fake consumer interest groups like the Center for Consumer Freedom to adopting voluntary guidelines that can be disregarded as soon as the political heat is off. (See recent reports about soda vending machines being ubiquitous in elementary schools, despite voluntary soda industry guidelines about not marketing to children.) Simon analyzes how, just as companies engage in greenwashing to make themselves seem more environmentally friendly than they are, food companies engage in "nutriwashing" to make their products seem more nutritious than they really are. It will definitely make you read the next feel-good press release from Pepsi or McDonalds about how they are encouraging "balanced lifestyles" with more skepticism.



View all my reviews
Stumbled across this rather fascinating Radio 4 documentary about an incident that occurred in Glasgow in 1954: hundreds of children aged 4 to 14 swarmed one of Glasgow's cemeteries, armed with stakes and knives, hunting a vampire that they claimed had eaten two local boys. (No local boys were in fact missing.) American horror comics were blamed, and Britain instituted new censorship laws.

And here I thought that flash mobs and fast-spreading false memes were a product of the internet era.

I did get a chuckle out of the fact that the blurb on the iPlayer site lists Astounding Stories (better known to modern readers as Analog) as an "American Horror comic". I'm fully willing to believe that Astounding was more lurid back in 1954, but I don't think it ever printed "horror", nor was it a comic.
So, I got an email a couple of days ago from a permissions researcher working for Macmillan Education Australia, asking permission to reproduce my poem, "Icarus", originally published in Strange Horizons, in what appears to be a textbook for high school seniors. Feeling both baffled and flattered, I've given permission.

Out of curiosity, I did a quick search, and actually found a few pieces of evidence that "Icarus" is being taught academically. It's on the syllabus of a course in Textual Analysis of Western Literary Texts at a Turkish university, and an online message thread asking for help analyzing the poem in classic, "O, internets, help me with my homework" fashion.

I feel a bit odd about this. I mean, it's cool, but I'm also having a distinct attack of imposter syndrome: Oh dear, I've conned someone into thinking I'm a real poet.
I usually find Radio 4's Thinking Allowed pleasantly thought-provoking, but a good chunk of the most recent episode was mostly just provoking. It was devoted to the premise that men just aren't growing up any more. Three principal pieces of evidence were invoked for this thesis:
1. Men are living with their parents longer than they used to.
2. Men are getting married later in life than they used to.
3. It's now considered entirely socially acceptable for men to play video games.

Let's take a look at these, shall we? )
Actually, that's what really boggles me about the "Thinking Allowed" episode. Everyone involved seems to be working from a shared definition of "grown-up" that no one ever actually bothers to articulate. I think that if I had to define grown up, I'd probably define it as, "Capable of independently fulfilling a reasonable number of one's obligations to one's family and society." Which I think you can still do while being single, living in your mom's basement, and owning a PlayStation.